Read the full Electro-Harmonix Ocean's 11 reviewĮven for those used to complex pedals and software plug-ins, the NightSky is initially daunting. Whether you want outstanding versions of bread and butter reverb effects, complex and unusual special effects or a combination of both, the Electro-Harmonix Oceans 11 Reverb is a worthy and highly affordable contender for any pedalboard, large or small. Shimmer is an ethereal, octave-up reverb effect with a long, sustaining tail that produces a synth-like texture, and the polyphonic reverb applies two programmable pitch-shifts to the reverb tail to also generate complex, synth-like sounds. Echo combines delay and reverb, while tremolo applies a tremolo effect to both wet and dry hall reverb. The spring reverb setting is based on a 1962 Fender 6G15 reverb unit and delivers some of the best spring reverb effects you’ll ever hear. The sound quality of all of the effects is stellar, boasting smooth tails and pro studio-quality noise-free performance. Other controls include an FX level, time (decay) and tone knobs, with the latter two also providing a secondary set of parameters that are accessible by holding down the mode button for about one second.
The mode switch also selects tap tempo divisions for the echo setting and engages either interval or mix edit parameters for the Poly setting. Several of these effects - tremolo, modulated and dynamic - have three different sets of parameters that can be selected with the mode switch. Here, users will find 11 different settings that consist of hall, spring, plate, reverse, echo, tremolo, modulated, dynamic, auto-infinite, shimmer and polyphonic effects. The lower left rotary switch knob on the Oceans 11’s front panel gives the strongest indication of the complexity lurking within this diminutive device. The obligatory hall, spring and plate sounds are as lush as you could hope for, but it’s the more out-there modes where the pedal really shines, such as the inspiring tremolo, modulated and reverse settings, while the pitch-shifted shimmer modes are among the very best in class.Īccessing secondary functions isn't so intuitive This has 11 types of reverb onboard, all of which sound pretty killer, plus it’s super easy to use and it’s really well priced. Best reverb pedals: Our top picksĪcting as possibly the best reverb pedal out there, all things considered, is the Electro-Harmonix Ocean’s 11. If you fancy adding dimension to your dry-sounding guitar tone, you’ll need one of the best reverb pedals, so let’s dive into our top picks of this lush pedalboard staple. A small room will have a drastically shorter reverb trail compared to a large hall or a church, for example. As you’d expect, the size and materials in the space will significantly affect the sound of the reverb. You know if you clap in a big, empty room and you can hear the sound carry on? That’s the sound dissipating, hitting different surfaces in the room and decaying. Before we look into the top options out there right now, it’s worth talking about what reverb is.
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